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Can​ç​õ​es Sem Palavras

by Libero Dietrich

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magibatalla
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magibatalla Gentle melodies (Dietrich knows how to write memorable tunes!) and emotional improvisations over Brazilian rhythms and harmonies. A fresh and joyful listening experience. Favorite track: Terra dos Sons.
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about

First album of instrumental music by guitarist Libero Dietrich, “Canções Sem Palavras” is a new step in the long trajectory of an artist in constant experimentation.

As the title suggests ("Songs without words"), the album features a selection of works that bring instrumental music and jazz improvisation closer to the universe of song. Complex compositions now can be savored through melodic lines that invite us to hum in an intuitive enjoyment, without the well-known clarity of the verb.

The album presents compositions spanning more than a decade and showcasing the wide range of influences of this musician from São Paulo: the rhythmic intensity and melodic fluidity of the Pat Metheny Group, the Ibero-American tradition of "choro" and "tango", Djavan, Ivan Lins and João Bosco's Brazilian song, and the use of the voice as an instrumental resource such as in the works of Hermeto Pascoal or Chick Corea.

The accompaining band brings together heavyweight musicians from the São Paulo scene who invite us to enjoy this proficient jazz with a strong Brazilian accent.

credits

released December 18, 2020

Libero Dietrich: electric and nylon string guitars
Sintia Piccin: flute, tenor saxofone
Anette Camargo: piano, vocals
Jackson Silva: eletric fretted and fretless basses, double bass
Rodrigo ‘Digão’ Braz: drums

Recorded, mixed and mastered by Magí Batalla (Estúdio U)
Assisted by Fernando Sobreira (Estúdio U)

Cover art and booklet by Lucas Blat

Band photos by Luan Cardoso

Project coordination by Umbilical (Cleanto Neto and Magí Batalla)

BONUS ITEMS: digital booklet and sheet music for the tracks "Canções sem palavras" and "Entre dois mundos".

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about

Libero Dietrich São Paulo, Brazil

A trained guitarist and self-taught bassist, Libero Dietrich had rock as a gateway to the world of popular music. From there he discovered jazz, fusion and Brazilian music.

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